This workshop version of Pippin was set in a jazz club in no specified time, and therefore the costumes were a deliberate combination of styles from the 1920s, 2020s, and 1400s. Across the board, the more color each character’s costume has indicates how entrenched or removed they are from the world of the play.
Director: Wylie Doak & Maya Puffer
Location: Tufts University, Torn Tickets II